August 2008 Archives

Rangers FC on Billy & Tim
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Below is a copy of the letter that NLP Theatre Company received on the 14th August 2008 from Rangers Football Club wishing the company every success with our anti-sectarian play "Singin I'm No a Billy He's a Tim".

Ibrox_Facade.jpg

 

Rangers Football Club 

 

 

Dear Scott

Please find enclosed a new season Rangers jersey as per your recent conversation with Carol Patton.

On behalf of the players and staff at Rangers Football Club I would like to wish you every success with your play,

Kind Regards

Teresa Hunter
Press Office
Rangers Football Club
Ibrox Stadium

150 Edmiston Drive

Glasgow
G51 2XD


 

The Skinny: There's No Limit for Some People
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IMG_5323.jpgWritten by: Michael Cox
Published: Thu 28 Aug 2008

A new company take on an old problem. Michael Cox adjusts his No Limit People.

After a short, yet triumphant run at the Citizens Theatre in June, Singing I'm No A Billy He's A Tim is returning for a Scottish tour. The production, NLP Theatre's first professional venture, is as colourful as the history behind the company's inception.

Artistic Director Scott Kyle was in a rut, stocking shelves and wondering what to do with his life. With encouragement from his girlfriend, he enrolled in a performing arts course at Glasgow College of Nautical Studies. Upon completion, Kyle realised that the key to finding employment was to create his own opportunities.

A chance discovery would change his life. Upon skimming the titles at a local library, Kyle discovered the text to Des Dillon's I'm No A Billy. After Kyle arranged a read-through, he became intent on staging the piece. Casting himself, two other friends and asking one of his former lecturers to serve as director, Kyle hit the ground running in order to realise his vision.

The play occurs in a jail cell during an Old Firm match. Billy, a Rangers supporter, and Tim, a Celtic fanatic, are both locked up due to different circumstances. Under the watch of a jailer, Harry, both men want access to a television in order to watch the match. Cleverly using the timeframe of a football match (each act is 45-minutes long), the play gives a brave statement about Scotland's football customs and focuses on themes of culture, history and identity. Kyle calls the play, "A great story about humanity."

Kyle and Dillon apparently see different aspects within the structure of the script. Kyle sees the piece as a brilliant statement against sectarianism whereas writer Dillon believes the piece focuses more on family life. Even with the difference of interpretation, the play appears to strike a chord with both theatre-goers and football fans. In fact, many who had attended the initial production had never seen a theatre production before.

With its focus on a Rangers vs. Celtic fans storyline, it is surprising to learn that the piece had not been played in Glasgow, outside of schools, prior to NLP Theatre's staging. Indeed, Kyle's belief in the play is so great that he has produced the production himself, investing his own money in the project and storing key props in his home.

Kyle is touring the production throughout Scotland and has tailor-made a school programme, using the characters and themes of the play, in hopes of raising the production's profile and the needed investment to fund the company and the production itself, which he hopes will have an international afterlife.

It's always exciting when a new theatre company comes along. But already with a bone-fide hit under it's belt, it's easy to believe that Kyle's passion and belief in the power of theatre will not only spill over to the audience of I'm No A Billy but will in fact carry over into future productions. Here's hoping that Kyle's belief, and financial gamble, in himself will payoff.

 

The herald Article
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Well versed in the art of self-belief

- by Nuala Naughton

Thumbnail image for me2.jpg Making your way in life can be as much about self-belief, self-promotion and determination, not least in sectors where only a talented few will rise to the top.

With only 6% of actors in work at any one time, one man with little more than a dream and a prayer is proving you can beat the odds with a mix of talent, tutoring, confidence and legwork. 

Actor and NLP Theatre Company Director Scott Kyle, is proof that determination can overcome an initial lack of key qualifications.

Scott left school without any higher qualifications and took a job as a trainee manager in a local supermarket, where he worked for 6 years, before deciding to take a leap back into education.

"My girlfriend had been studying hair and beauty at the Nautical College" says Scott "and she brought home a prospectus. I was surprised it did so many courses and I took a stab at an NQ basic acting course.

I still had to audition for a place and found it really hard work. I was never good at reading and interpreting passages and didn`t much get the whole Shakespeare gig so I needed a lot of help."

Three years, an NQ, HNC and HND in acting later, Scott is in the middle of a 10-venue theatre tour debuting a play by Des Dillon which will play at the SECC in Glasgow next month. 

Scott paid his way through college, often finishing off a night shift and heading off on his moped to college. His hard work was recognised at his final year diploma show when a director of the theatre company, Baldy Bane, gave him his first break - a touring high school education project.

"It was great doing something I loved and being paid for it." says Scott, "and that led to other work with the company. But I knew, if I was going to earn a living at it, I couldn`t just wait for the phone to ring. I had to get my show on stage." 

This meant another bout of studies with the business start-up advisory organisation, Business Gateway.

"I learned all about bugets, accounting, tax, marketing and promotion," says Scott. "I got a start up grant and pitched my idea for an anti-sectarian play to The Citizens Theatre. It was a learning curve but the most fantastic feeling in the world."

Marketing the tour on community websites such as Bebo and Facebook as well as asking favours from venues and friends, spending every spare hour posting fliers on walls, shop windows and bus shelters across the Central Belt, as well as rehearsing and organising, only served to fuel Scott`s determination.

"I was never the best actor or student," he admits. "I struggled and saw others who were more talented than me drop out. You`re always faced with that well-worn statistic - only 6% of actors, etc - but I think, instead of trying to squeeze into that elite statistic, why not change the statistic: reduce the 94%. Get out there and do it."

"Self-belief is paramount. Studying is invaluable and tutor support really got me through it. But you have to get out there and learn to take the knocks and get back up again, run it like any other business and focus on the positive. If you only took the negatives, you wouldnt try anything, would you?"